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The line speaks to something broader, too. Late Night is both a blush of contemporary, prickly progressiveness and a harkening back to an era when movies were easily solved, when catharsis was the main intent of straight-down-the-middle, easily ladyy Help a lady out late tonight fare.

Kaling has written a movie in the style of old fizz-and-gloss comedies whose passing we now lament, though its most obvious inspiration, The Devil Wears Prada, is barely a decade old.

I left the movie with a big, dumb grin on my face, one that was quickly met—but not daunted! I think that lqdy is sort of the point.

What surrounds the show within a show, though, has a sparkling, rambling patter. But Late Night is more interested in the larger shape of things, of assessing writers-room inequities and the X fault lines between comedy and media with a bright, surveying energy.

In real life, Kaling is a tweeter, a pay-attention-er.

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She Smiths Falls women in tn out her timely quips and observations with the loose confidence of someone who has created her own successful TV series and has written best-selling books, and can Help a lady out late tonight just go about riffing without any distinct onus to justify her ideas.

There may not be enough bite to Late Night for those wanting backstage acid. The movie is like what Morning Glory could have been, had it not been stymied by the bland embellishments of star-vehicle filmmaking.

As the witty harridan Katherine, Thompson is a radiant force, more winning than any actor ought to have the right Hlp be. Thompson, a former stand-up comedian herself, has always been a shining talk-show guest, silly and erudite and aware of her daffy-posh affect.

Kaling holds her own against Hrlp that firm Oxbridge competence. Katherine does eventually pay heed, thanks to Molly, and in that victory, Late Night lays out a solution: All that these precious gatekeepers may need, Late Night argues, is a shake-up reminder that the world exists beyond their own molten legacy.

And yet it gently urges itself, and the culture it sends up, toward something just maybe resembling real change. Looking for more?

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Richard Lawson Richard Lawson is the chief critic for Vanity Fairreviewing film, television, and theatre. He lives in New York City. Game of Thrones: Once Upon a Time Hel; Trailer: